Thesis Update: Building Day 3
Day THREE!!!! Holy shit got a lot done. Nick Morr was on the team today and here’s what we got done:
1. second coat of mud on the outer wall and 2nd doorway
2. primed all four walls minus the still wet mud
3. put suspension beams on two of four walls (the other two are fuckers to try and get beams attached)
4. hallway framed
5. hallway walls drywalled
This slideshow requires JavaScript.
Share this:
~ by Nicholas Sagan on April 20, 2011.
Posted in News and Updates, Project Progress
Tags: space art, sound art, science and art, art and science, art and astronomy, hybrid art, sound installation, nicholas sagan, sagan, columbia college chicago, interdisciplinary arts and media, quantum physics, schroedinger, art, science, experiments, art experiements, installation art, sound, art space, astrophysics, celestial, NASA, video art, video installation, time, quantum, quantum time, graviton, particle physics, particles, gravity, gravitron, Kairon, feedback, systems, positive feedback system, video experiment, relativity, general relativity, chronon, wave function, Quantum Chromodynamics, aesthetic experience, aesthetic environment, Max/MSP, astrophotography, LEDs, Canon A-1, constellation, constellations, exposure, cartography, experimental cartography, experimental astronomy, astronomy, Experimental Stellar Cartography, multi-dimensional, experimental c, Frame Grabber, Arduino, Ex Ars Et Astris Scientia, Scientia, LED array, computer vision, fiber optics, Max 5, space, Fictional Astrocartography, Fictional Astrophotography, iPad, waking the invisible, Star Wars, art and science fiction, OSC, Open Sound Control, entropy, astrocartography, universe, OpenSoundControl, aesthetic process, SDSS, nick sagan, observational astronomy, Nicholas Anthony Sagan, phase, Digital Universe, Partiview, Atlas, Galaxy, Planets, empiricism, paradox, empirical paradox, truth, penultimate, aesthetic paradox, empirical, aesthetic experiment, limit cycle attractors, isotropic, isotropic time, isotropic space, homogeneous space, minimal entropy, absolute zero, performance, documentation, performance documentation, exoplanets, red dwarves, red dwarf, Lev Manovich, Information Aesthetics, Information Arts, iPod, fiber optic interactivity, Astronomy Magazine, astro, Mars canals, astronomical duality, duality, duality in astronomy, Glenn Chaple, Astronomy with an Opera-Glass, Astronomy with the Naked Eye, Bell’s Theorem, George Smoot, Doppler effect, The Measurement Problem, photomultiplier, collapse of the Wave Function, ACTION WITHOUT CAUSATION, Non-locality, The Participatory Universe, Heisenbergian Blur, Virtual Transitions, Thesis, Force Trainer, EEG, hacking, electronics, hacking electronics, toy hacking, EEG hack, EEG control, EEG controller, Maxuino, Lev Manovich’s Information Aesthetics, John O’Neill, Schrodinger’s Equation, IDRC, Institute for the Department of Research, time spin, temporal manipulation, temporal, spatial, spatial-temporal, space-time, spacetime, trans-, kairo-, chrono-, axial-, axio-, -graphic, module, apparatus, -meter, oscilli-, -ometer, Kairographic Axiometer, Trans-temporal Phase Module, Performance in Artificial Space, Artificial Space, artificial, (notes on) IDRC (Institute for the Department of Research Center)


