Thesis Update: Building Day 1
Today I built out the drywall frames all by my itty bitty self. Damn straight. Started around 930a and left the space around 3. Even got 3 pieces of drywall up. More tomorrow!
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~ by Nicholas Sagan on April 18, 2011.
Posted in News and Updates, Project Progress
Tags: (notes on) IDRC (Institute for the Department of Research Center), -graphic, -meter, -ometer, absolute zero, ACTION WITHOUT CAUSATION, aesthetic environment, aesthetic experience, aesthetic experiment, aesthetic paradox, aesthetic process, apparatus, Arduino, art, art and astronomy, art and science, art and science fiction, art experiements, art space, artificial, Artificial Space, astro, astrocartography, astronomical duality, astronomy, Astronomy Magazine, Astronomy with an Opera-Glass, Astronomy with the Naked Eye, astrophotography, astrophysics, Atlas, axial-, axio-, Bell’s Theorem, Canon A-1, cartography, celestial, chrono-, chronon, collapse of the Wave Function, columbia college chicago, computer vision, constellation, constellations, Digital Universe, documentation, Doppler effect, duality, duality in astronomy, EEG, EEG control, EEG controller, EEG hack, electronics, empirical, empirical paradox, empiricism, entropy, Ex Ars Et Astris Scientia, exoplanets, experimental astronomy, experimental c, experimental cartography, Experimental Stellar Cartography, experiments, exposure, feedback, fiber optic interactivity, fiber optics, Fictional Astrocartography, Fictional Astrophotography, Force Trainer, Frame Grabber, Galaxy, general relativity, George Smoot, Glenn Chaple, graviton, gravitron, gravity, hacking, hacking electronics, Heisenbergian Blur, homogeneous space, hybrid art, IDRC, Information Aesthetics, Information Arts, installation art, Institute for the Department of Research, interdisciplinary arts and media, iPad, iPod, isotropic, isotropic space, isotropic time, John O’Neill, kairo-, Kairographic Axiometer, Kairon, LED array, LEDs, Lev Manovich, Lev Manovich’s Information Aesthetics, limit cycle attractors, Mars canals, Max 5, Max/MSP, Maxuino, minimal entropy, module, multi-dimensional, NASA, Nicholas Anthony Sagan, nicholas sagan, nick sagan, Non-locality, observational astronomy, Open Sound Control, OpenSoundControl, OSC, oscilli-, paradox, particle physics, particles, Partiview, penultimate, performance, performance documentation, Performance in Artificial Space, phase, photomultiplier, Planets, positive feedback system, quantum, Quantum Chromodynamics, quantum physics, quantum time, red dwarf, red dwarves, relativity, sagan, Schrodinger’s Equation, schroedinger, science, science and art, Scientia, SDSS, sound, sound art, sound installation, space, space art, space-time, spacetime, spatial, spatial-temporal, Star Wars, systems, temporal, temporal manipulation, The Measurement Problem, The Participatory Universe, Thesis, time, time spin, toy hacking, trans-, Trans-temporal Phase Module, truth, universe, video art, video experiment, video installation, Virtual Transitions, waking the invisible, wave function
